The oval soundhole also creates broad low-end frequencies, making it sound amazing when played both acoustically and electrically. The X pattern also maximizes the guitar’s resonance so it sounds natural yet precise and dynamic. That’s thanks to the X-type bracing pattern within the soundhole. The APX500III has a huge sound with plenty of resonance. Entry-level but is still suitable for professionals.Controls: mid-frequency control, 3-band EQ, built-in tuner.Some of the most notable details include: Specsīefore we go into the review, let’s cover some of the specs. In addition, Yamaha no longer makes this guitar, so it’s extremely difficult to find. Even when plugged in, this guitar doesn’t achieve as impressive of sounds as competitors. If you’re looking for volume, this isn’t the guitar for you. Overall, this is a great guitar for the price.
In addition, the tone and sound are excellent. This not only makes this the perfect guitar for beginners but is a great jam guitar for professionals who just want something simple. There are few adjustments that need to be done. Today’s APX guitars boast a more natural look, 5mm deeper body for better bass response and greater volume and, under the hood, a new non-scalloped bracing pattern for a responsive, dynamic tone.This guitar is great straight out of the box. Styles have changed a little since 1987, but the essence of APX is the same as ever.
Yamaha’s legendary active preamp is still a big feature of APX, and being built by Yamaha’s audio-visual division, the sound quality is everything you’d expect from the world’s number one. The latest APX600 features SRT Piezo Pickup – the same pickup as featured in the highly acclaimed A Series range and boasting incredible dynamic range, natural tone and the feedback rejection and mix-friendly sound that guitarists need and want. In any electro-acoustic, the combination of the guitar’s acoustic sound and its pickup is the heart of the sound.
The APX series didn’t just focus on sound - every element was tweaked to be an easy switch for an electric player on-stage, from the stylish finishes to the cutaway body and the slim, electric-guitar style neck. In 1987, Yamaha made the first acoustic guitar that could be taken from a guitar rack, plugged in and played at volume, problem free no more howling feedback, misplaced mics or the dreaded extended sound check…. As an electric guitarist in the 1980s, if you wanted to play acoustic on stage there were few options for you that really worked.
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